Compact Impact Night vol 4

tags: , , ,

Cin4 FrontCompact-Impact Night
Vol. 4 – GAMESDates: April 1-3, 2005
Location: Compact-Impact
21 Avenue B (Between 2nd and 3rd)
Telephone: 212.677.0500
Web: compactimpact.com

Visuals by Forward Motion Theater
DJ – Duane Reade

Compact-Impact Night is a renowned new media and design exhibition that promotes the latest ideas and creations in technology, and places them in a design and technology store for public viewing. Compact-Impact Night bridges the gap between concept and production by providing artists the opportunity to display their works in a retail environment.
(more…)

EyeWash 2 DVD featured artists: VJ Moto

Filed under:ArtPrinter Friendly Printer Friendly
tags: , , ,

Mototitle
New Media: What
Neuberger Museum of Art
March 6 – June 26, 2005

Fingercut2Motomichi Nakamura‘s evoë are four looped animations with music by Otto von Schirach. They are a part of New Media: What, the second of five small exhibitions that sample and contextualize electronic artwork at the Neuberger Museum of Art. A visit to Westchester’s premier collection offers viewers insights into the work of 20th Century masters, emerging artists, and cutting edge innovators.

(more…)

Palladio: a playable film

tags: , ,

Palladio Title
IS IT ART? IS IT ADVERTISING?

Bill Jones and Ben Neill premiere
PALLADIO: a playable film

“In the future there will be no photographs. In the future there will be no objects at all…. In the future there will only be Art,” says the bombastic unseen narrator of Palladio, a new film by Bill Jones with live music by Ben Neill and live video remixing by Jones. That’s Art as Lifestyle apparently: The kind of Art which is experienced through portable media players…, Art as Style…, Art in the age of Steve Jobs where iPods are as cool as the commercials that sell them….

Johnnie is an Artist. We know this because he is seen brooding around NYC in stylish black jackets standing against shop windows and posing like a model in Central Park — pretty, young, and moody. Though we never actually see him create anything he is by turns a VJ, a painter, and eventually a rock guitarist. Picture Morissey as a VJ, but squint until he becomes a shameless label-whore. In his first scene he plays a concert at downtown’s a/v cabaret Remote Lounge, and his self-centered melancholia is compromised by his video accompaniment: a VJ remix of sampled television commercials — but not the pretty parts, just the advertising…, the parts where the corporate logo fades in and an announcer reads the market-researched ad-slogan. A tongue-in-cheek bite at sampler-culture.
(more…)



Page 2 of 212

(c)2008 forward motion theatre, inc.